THE SATI SERIES of books are works of mythological fiction. These narratives are challenging towards the patriarchal observation of the myth, narrowing down the vast scope of feminine leadership and historical interpretation across centuries, inversely impacting the understanding of women from India and broadly, South Asia.

Various creative translations (including oral traditions) of religious storytelling have influenced the gender responses in India. Not only have they compromised the sociopolitical identity of women, but have also endorsed a regressive image of men coined as heroism. A careful reading of the religious literature provides many instances that are inclusive, liberal and modern - they are grossly suppressed for patriarchal convenience. THE SATI SERIES discovers the compassionate but independent voices of Panch Kanya (five virgins) - disrupting, questioning & reconstructing the transformational  power of these legends.

AHALYA was shortlisted for AutHER Awards (best fiction and popular choice categories) in 2020-21. KUNTI is shortlisted for the Valley of Words awards, Dehradun Literature Festival, 2022.

‘Ahalya, Draupadi, Kunti, Tara, Mandodari – each of the Pancha Kanyas is fascinating. Ahalya’s story has been told and retold several times, sometimes with varying accounts across texts. What was herrelationship with Gautam and Indra? What was her crime? How was she redeemed? Why is she amongthe Pancha Kanya? There have been modern retellings and interpretations too. Koral Dasgupta’s wonderfulretelling adds to this corpus, with a lyrical and poetic quality. The image that will remain with you is of theMist. That is the reason Ahalya, and this rendition, is so enthralling.’ – Bibek Debroy


'Go, woman, find your world yourself. The joy you seek deserves to be discovered. Armed with this advice, Ahalya sets off on her life's journey. The magical and thought-provoking adventure that follows will intrigue and mesmerize readers.' - Chitra Banerjee Divakaruni


‘Imaginative, intense and insightful ... Narrated in Koral’s signature style, the exchanges of Mandodari
and Sita (and their implications for Ravan and Ram) are absolutely fascinating.’
- Ashwin Sanghi


‘Koral Dasgupta’s evocation of Ahalya, the first of the Panch Kanyas, the five virtuous women from Indianmyth, is an enigmatic tale about purity, chastity, seduction, and redemption, told from the perspectiveof the eternal feminine.’ – Namita Gokhale


'I loved reading Mandodari. I loved how Koral weaved in all we know and so much more that a woman goes through into a tapestry of love, intelligence, hurt, strength and individuality Mandodari needs to be savoured slowly ,taking in a chapter at a time. So happy to be reading about the women in the Ramayan that lived through such an important period of mythology and yet we know so little.' - Maria Goretti


'Draupadi lives up to the expectations set by Ahalya and Kunti from the Sati series. Koral dares to boldly push the narrative in ways you cannot imagine. A must read, this one.'

–  Kiran Manral


'This is a striking rewriting of Draupadi’s story.  Koral Dasgupta has given us a Draupadi who is fearless, politically astute, and unwilling to be anyone’s victim. This Draupadi leans into her power and changes the course of history in Dasgupta’s beautifully crafted world.'Prof. Tracy Pintchman


'In poetic prose Koral Dasgupta weaves surprising threads into the ever-evolving tapestry of the Mahabharata, enriching it with this empowering, lyrical telling of Draupadi's life.'Prof. Hillary P. Rodrigues


In the book Draupadi, Koral Dasgupta has given us an unique take on a well-known story from the Mahabharata. It is fascinating to hear this tale from a female perspective, to hear her thoughts and struggles about being offered in marriage to all five brothers, as well as her eventual realization of the purpose behind the marriage. This work clearly shows Draupadi to be an intelligent and rational player in the divine plan. In our attempts to make the academic world more diverse and accessible to all, a reading of Draupadi alongside the Mahabharata would be an excellent way to open new dialogues in the classroom and beyond. - Prof. Arnold Smith


‘Amazing premise and approach. This is one unique take on an age-old tale. Brilliant and intriguing.’– Anand Neelkantan


This lyrical and insightful reimagining of Draupadī’s narrative is a worthy entry in the long tradition of telling the tales of India’s (and the world’s) great epic. - Prof. Brian Collins


'Impressed. I literally never imagined the interior world of a character from mythology in this way, let alone contemplating this way of reflecting on the soul, embodiment, desire, and a woman's experience of the Brahma and Indra dominated worlds! Really powerful.' - Prof. Brian A. Hatcher


'In this original and spirited interpretation of the tale of Ahalya, Koral Dasgupta gives voice, character, and agency to an enigmatic and fascinating female figure from ancient Hindu lore, while exploring and seeking to resolve the proverbial and vexing tension between asceticism and sensuality.'                                                          - Prof. Philip Lutgendorf


Bringing heroines of yore, like Ahalya & Kunti, to contemporary times,  Koral Dasgupta writes with a rare verve & energy. Never dull or pedantic, she makes the woman within the legend come alive. A rare talent.

Makarand Paranjape


'A lively series of beloved stories from ancient India that speak to modern readers.'

Prof. Paul B. Courtright


'Koral has outdone herself (in Ahalya). Lyrical, sharp, wise, playful, questioning.' - Kiran Manral


'Engaging and cinematic narrative.' - Srijit Mukherjee


'A stream of consciousness; a spiritual telling. It rescued and redeemed the purity ruse. Koral is a visual writer.' - Nabila Jamshed


'Dasgupta makes old myths contemporary and relevant with an understated elan and compactness.'

- Sudeep Sen


'A stunning read. Fluent and engaging. What a fine writer!'

- Fiona Sampson


'Panchakanya and other women, reinterpreted,  is a most pertinent call. Ahalya  is beautifully written and the little details and imagined conversations  bring the character alive. I also enjoyed the  almost surrealistic movement between mythical time and ours. It’s a reminder that we in India live by a philosophy of transitions, in-between-ness.  Ahalya is amongst us.'

- Prof. Malashri Lal


 'A stunning piece of literature.' - Dipannita Sharma


'Kunti's story is not easy to write. Koral has brought her out in flesh and blood'. 

– Shinie Antony


Kunti, the second in her Sati series, takes the matriarch of the Mahabharat and recasts her as a woman with yearnings, desire, ambition and capability. The first book in the series, Ahalya, cast an understanding, feminist lens on the much maligned Ahalya, positioning her as a woman who had been boxed into a marriage not of her choosing. We see Ahalya and now Kunti, as women we can all identify with, sympathise with and root for. In their quest for fulfilment, we catch glimpses of ourselves. This perhaps, is the greatest achievement ofthe Sati series, it humanises the women we’ve seen through the patriarchal lens, it puts them in the spotlight and not as viewed through the gaze of the narrators who often cast them in relative perspective to the male figures of the myth. A magnificent retelling, this is a must read.' –  Kiran Manral


Koral Dasgupta makes the ancient myths speak in new and unexpected voices; voices that have been lost and sunken in the dominant narrative consciousness, and yet, the voices of characters who made the flesh, blood, and the values of the epics possible.

–  Saikat Majumdar


Fascinated both by the theme and the way modern vocabulary is combined with ancient setting and philosophy and the power seeking perspective of Ahalya with ultra patriarchal one. Valid even today.

–  Lakshmi M. Puri


Mythological women, especially Indian ones tend to be viewed primarily through a patriarchal lens. Which is why I read Kunti by Koral Dasgupta with urgent excitement. At last, a great woman of myth - redefined. At last, the female gaze prioritised. A beautiful and lyrical retelling of the story of Kunti, not merely as wife of Pandu and mother of the Pandavas, but as an intelligent, political, sensuous woman capable of directing both her destiny and her desires. A woman who walks with kings, sages and gods and leaves her imprint on them, a woman of agency rather than sacrificing helplessness. I am so glad the author is on a journey to reclaim these powerful women of myth and lore and I look forward to her recreation of Draupadi, Mandodari and Tara. An impressive achievement.

Rashida Murphy


It isn't easy to retell a story that's well known. To recreate a character from our itihasa with so much empathy and integrity as to make us modern women look back in wonder.Koral Dasgupta has managed to do just that. Her Kunti is heartbreakingly real.

Nandini Sengupta


I have always been fascinated by Kunti. I was eagerly awaiting reading Koral Dasgupta’s latest book in the Sati Series. The writing as fierce as the character Kunti herself, so bold, assertive, unafraid. I found myself underlining sentences so beautifully phrased, on several pages. The book drew me in as Kunti visualized her future, her union with Indra and the birth of her son Arjun. This book will leave you elevated.

Priyanka Gupta Zielinski



Media Verdict (selected):


The book (Mandodari) has several strengths, in­cluding, but not limited to, Dasgupta’s envisioning of the inner world of the women of Lanka, the differences, sympathies and alliances within, as well as the titular charac­ter’s moral turbulenceTHE TELEGRAPH


Dasgupta’s portrayal of Draupadi is fearless -  it is a piercing voice cutting across the glaring eyes of asteady patriarchal society. India Today


Ahalya  and Kunti  are completely unflinching and unashamed in their depictions of female pleasure and intercourse. These scenes took me by surprise, but in retrospect, their inclusion aligns well with the narrative that Dasgupta works to tell. One could read these unapologetically written scenes as an insistence that surrendering to indriya and discovering one’s desires is not truly something sinful but rather something to revel inCHA LITERARY JOURNAL


The author has focused on the making of these characters as contributive to the unfolding and shaping of the epic mythologies. THE WOMB


Mandodari with its lyrical prose and philosophical moorings... conjure up visions of a mesmerising world. The book shows how so much is made possible by a lone woman's resilience and unswerving commitment to do the right thing. Anuja Chandramouli for The New Indian Express


Koral Dasgupta creates true wonder with her new book Ahalya.  The Tempest


Koral has problematised, unabashedly, the issues and social norms related to Sati, womanhood, motherhood, virtue, pleasure, orgasm, purity-pollution, female body and infidelity.  Outlook


An ecocritical reading of Ahalya reveals the exploration of an ancient connection with nature that’s sacred, intimate, and as we are in the midst of an environmental emergency, vital to reconcile with today.  FIRSTPOST


...the brilliance of Dasgupta’s retelling is not just within the confines of that transformation itself, but rather, the importance of being seen, validated, and loved as you are.

Southern Humanities Review


In a most intriguing retelling, Dasgupta’s narrative turns the seduction story on its head, making Ahalya the seducer instead of the seduced.  SCROLL



Talks & Conversations :


Jaipur Literature Festival, 2022

Leadership Insights from Indian Tradition: the Feminine Perspective

@ TATA Learning Latitudes Webinar

Social Nation

ITIHASA @ Sansad TV with Shri Bibek Debroy

Translation of Women's Voices from Indian Epics.

@ Department of Humanities & Social Sciences, IIT Kharagpur

Myth, Motherhood and Leadership  @ FICCI FLO

FINDING DRAUPADI: in conversation with Ramjee Chandran for The Literary City

WOMEN'S MYTHOLOGY! A podcast with Swellcast

Widows From Indian Epics: A seminar on Empowering Widows organised by the Center for Gender Equity Studies, Delhi University (time stamp 2:27:10 to 3:54:20)

An Author's Afternoon with the Prabha Khaitan Foundation

Five Iconic Women for Big Turtle Podcast​​​​​

Bharat Mauritius

Mythology and Modernity in Women's Literature. 

@ The Global Language Centre, O. P. Jindal Global University

The Write Circle

Prabha Khaitan Foudation, Raipur

Desi Books Q&A on South Asian Literature

Indo Pak Book Lovers: A Peace Initiative

New Books Network

Mahabharata and Ramayana - Mythology or History: Kalinga Lit Fest

Women Spiritual Masters - Why they matter Kalinga Lit Fest (panel discussion)

Panchkanya & Life Lessons: Beyond Mirage (a podcast) 

Mytho Fantasy or mytho Interpretation: Pune International Lit Fest 

(a panel discussion)

Nayika: Women of Myth and Mystery: Bangalore Lit Fest (panel discussion)

Kunti, The Ultimate Matriarch: Instagram Live with Romita Sahni

Sati Series - Women from Mythology: A talk for Abhivyakti organised by AWWA

Chandigarh Lit Fest (panel discussion)

Kalinga Lit Fest (panel discussion)

Think India (Facebook Live)

Kalinga Bhava Samvad 

Crossword Bookstores : in conversation with Shri Bibek Debroy (Facebook Live) 

The Purity Ruse with Observer Research Foundation (panel discussion)

Godesses, Queens, Leaders @ PK Foundation, Dehradun (panel discussion)

Mandodari @ PKF, Meerat

Bistro Buzz with Sutapa Basu

Galp Lok

Mythology, Workplace and Feminism: a Podcast 

Millennium Mams' (Facebook Live) 

Indic Academy

The Daily Guardian




Ishaanlive - a podcast




Bloggers' Take (selected):


"Koral Dasgupta's "Mandodari" is a mesmerizing tribute to a forgotten heroine of the Ramayan. In this enthralling tale, Dasgupta delves into the life of Mandodari, a woman whose extraordinary talents and pivotal role in shaping the mystical kingdom of Lanka have long been overshadowed by her infamous husband, Ravan."


"The author builds a narrative that made Ram Rajya and Ravan Rajya run parallel, in which the great intellectual Ravan was consumed by power & ego, Mandodari has the wisdom to know the difference between right and wrong but her loyalty remains intact with the Lankesh."

Mansi Singh on Mandodari

"The voice of Draupadi is stronger and more rebellious here than I've ever read it. Which has always been the reason I love her so much. I've been reading a lot about feminist reimaginings of mythology lately and yet, this book sets itself apart from all earlier retellings of Draupadi 's story."


This book (Draupadi) is a piece of art I must say. I'm mesmerized by the narration as it's so lyrical and poetic. I'm grateful to the author for presenting us with this exquisite book. The phenomenal journey of reading this book will be cherished forever in my heart.


there wasn’t any literary marvel I came across that could deliver her story on a personal and spiritual level. This book covers the episodes of her life, that dispels the so-called disputes she allegedly had with her Mother-in-law, Kunti. 


"While Koral paints a fascinating picture of the world that the women operate in, she also leaves enough for the creativity of your own minds to take flight and make their worlds your own."

Srushti Rao

"It’s hard to see why Koral Dasgupta wouldn’t employ her literary grace yet again, to convey Kunti’s story. As she continues with the Sati series, she is gaining ground in the magnificence of her diction, in the use of artistic liberty to chisel out uncanny strands of beauty derived from the feminine foundation. Over the top, remains her able use of metaphorical splendour, how she effortlessly makes the natural elements dance to the tunes of the story, and how she rhythmizes illusion, desire and longing..."Deepan's Bookshelf

"...The most astounding thing about this book is the tone; which, if read aloud feels like a chant, a continuous humming of words and one might, while reading forget to pause for a breathe. The sentences which are short and sharp, are weaved like a rosary that refuses to end. Imagine an epic poem, how the praises are sung and the bravery and follies of our hero told and retold; that’s exactly the tone of this book. Not preachy but grand..."


"...Koral juxtaposes time, space and moralities to frame what made Kunti into the character she is in the Mahabharata. In doing so, Koral uses first person vocals, finally allowing Kunti to own her narrative as Kunti and not as someone's mother, wife or daughter. In here, Koral shows the role of feminism as well — it liberates women from the roles they are supposed to fit in, it highlights the roles that are not talked about..."

Sahil Pradhan

"...Koral’s writing is passionate, bold and forthright. While reading this book, words flowed in my mind as if someone is acting in a theatre and delivering their dialogues with utmost passion. Her art of presenting a straight up fact with metaphorical speech is something to admire... Kunti’s known role in Indian literary imagination has got a huge leap through this book. The author’s approach towards feminist writing is defined & concrete..."

Mansi Singh

Koral’s sensitive novel is ought to be read by every thinking Indian, affianced, married or separated. It shows, with exceptional fictional skill, the subtle and everyday way in which men and women are bludgeoned to play scripted subordinate roles.


Such stories are the need of the hour (and generations to come) which gives a better meaning to the equality amongst gender from the mythological lores which was long suppressed by the rise of Monastic orders and need to be retold or at least reinterpreted for the coming generation to learn lessons from.

Aishwary Mehta

Koral Dasgupta has made us see Ahalya as the symbol of rejuvenation and innocence, as the one who heralds the sanctity of persona, let alone the body with its flesh and bones.


The first-person narrative that too from a woman-author served to AHALYA's advantage. Gaurav Sharma Lakhi

Ahalya is entertaining, well-researched, and offers an interesting see-through into the ancient world. Richa Mehndiratta

There’s always another side to a story, and this one’s the side of the Woman, whose voice have never been heard before, whose tale has never been told before. Sayantoni Das

What makes this retelling of an age old tale special is its symbolism and thought-provoking words. In short, the book is mystical and intriguing.

Hibathu Naseer K.





OUTLOOK  (2023)

Scroll: an excerpt


Outlook  (2020)

Daily O

Scroll (Mandodari)


The Curious Reader

Bookish Santa

Elle Magazine